MESOC Serapeum | Where culture meets AI

Id		157
Author		Williams, D.,
Title		The social impact of arts programs. How the arts measure up: Australian research into social impact.
Reference		Williams, D. (1997). The social impact of arts programs. How the arts measure up: Australian research into social impact. Working Paper 8. Stroud, UK: Comedia.
Link to article		https://arestlessart.files.wordpress.com/2016/11/1997-deidre-williams-how-the-arts-measure-up.pdf
Abstract		The aim of the project is to develop a methodology to evaluate the social impact of community arts programmes and assess impact in key areas. It argues public funded community based arts projects were powerful catalysts for community development.

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...the sociological conception of culture possesses a number of qualities which are relevant to the process of development and the future. .
A creative arts focus: maintaining a creative arts focus to cultural development projects. .
A mural as catalyst to community empowerment The mural project became a focal point for discussion about local environmental and recreation issues, and eventually a catalyst for community awareness raising. .
A successful project is likely to have a considerable impact in generating support for the arts, locally and further afield. .
Although creating art through a collaborative process may be the group goal, the meaning this experience has for individuals will differ. .
Artistic quality was defined by participants as how the finished work affected them and their community, and how the artwork embodied or represented what they set out to achieve together. .
Artistic responses What we can do for ourselves depends on what we know of ourselves. .
As a result of these experiences, the participants knowledge of the site and the values it embodied for them were reaffirmed. .
As a result, the public approval, successful risk taking and enjoyable team work experiences left feelings of increased self esteem and confidence. .
Audience impact: an artistic product that inspires its target audiences. .

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