| Id | 160 | |
| Author | Landry, C., ; Bianchini, F., | |
| Title | The Creative City | |
| Reference | Landry, C.; Bianchini, F. (1995) The Creative City. London: Demos. |
|
| Link to article | https://www.demos.co.uk/files/thecreativecity.pdf |
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| Abstract | This short publication explores what it means to be a creative city. It sets out both why creativity has become more important to cities – why nurturing it is important for economic success – and how creativity can be mobilised to help solve the myriad problems of the city, with lateral, synthetic, cross-disciplinary approaches. The first chapter explains what is new about the interlocking crises facing many cities. Secondly, the authors ask what creativity is and how it can be harnessed to make city life better. The authors argue that the hard sciences of urban planning need to be enriched by mobilising the experiences of different disciplines and people currently marginalised from decision making. In the last two chapters authors show, by quoting examples from all over the world, how it is possible to be creative in practice, how obstacles to creativity can be overcome and how creative milieux can be established.
The creative city is the result of a long period of research and consultancy on the problems and possibilities of cities in Europe and beyond.
The publication recollects the work experience of the authors during a decade in more than 100 towns and cities ranging from Stirling to St. Petersburg, Middlesbrough and Milan to Melbourne, Huddersfield to Helsinki and Basingstoke to Barcelona. Much of this work was concerned with developing the artistic, cultural and social life of cities. But the lessons which were learned seemed to have wider significance.
Meanwhile, Prof. Klaus Kunzmann at the University of Dortmund and Ralph Ebert and Fritz Gnad at STADTart, also in Dortmund, were analysing urban and regional development, particularly in the Ruhr area, where a dramatic shift from traditional to more technologically advanced industry and services had taken place.
This joint experience suggested that a new way of thinking was needed that went beyond traditional professional specialisations. In thinking through which lessons from the UK could benefit German cities and vice versa the authors recongised that the overriding feature common to the two countries was the importance of creative responses to urban problems, be they in traffic management, business development, greening the city, integrating ethnic communities, regenerating run-down housing estates or enlivening city centres. |
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Results:
Smaller Distance better similarity
| Id | View | Author | Title | Distance |
|---|---|---|---|---|
| 211 |  |
Maini, L., | Measuring creativity. Proposal for an index to measure the creativity of cities. | 94.8124 |
| 643 | |
Comunian R., Mould O. | The weakest link: Creative industries, flagship cultural projects and regeneration | 107.299 |
| 218 | |
Navarro Yanez, C., J. | Do ‘creative cities’ have a dark side? Cultural scenes and socioeconomic status in Barcelona and Madrid (1991–2001) | 109.814 |
| 530 | |
Afacan Y., Afacan S.O. | Rethinking social inclusivity: Design strategies for cities | 110.495 |
| 740 | |
Vardopoulos I., Stamopoulos C., Chatzithanasis G., Michalakelis C., Giannouli P., Pastrapa E. | Considering urban development paths and processes on account of adaptive reuse projects | 111.991 |
| 150 | |
Markusen , A., ; Godwa, A., | Arts and Culture in Urban or Regional Planning: A Review and Research Agenda | 112.083 |
| 507 | |
Robazza P., Longo D., Bortoli G., Alese G., Boeri A. | DIY urbanism as a tool of urban regeneration. Two cases in comparison | 115.537 |
| 525 | |
Urbanowicz K., Nyka L. | Interactive and Media Architecture - From Social Encounters to City Planning Strategies | 116.048 |
| 206 | |
Grodach, C., | Museums as Urban Catalysts: The Role of Urban Design in Flagship Cultural Development | 117.321 |
| 158 | |
Degen, M., ; Garcia, M., | The Transformation of the ‘Barcelona Model’: An Analysis of Culture, Urban Regeneration. | 119.995 |
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