| Id | 741 | |
| Author | Rogelja I. | |
| Title | The Museumification of Treasure Hill: Authenticity, Authority and Art in a Taiwanese Urban Village | |
| Reference | Rogelja I.; The Museumification of Treasure Hill: Authenticity, Authority and Art in a Taiwanese Urban Village ;China Quarterly vol: issue: page: |
|
| Link to article | https://www.scopus.com/inward/record.uri?eid=2-s2.0-85079830819&doi=10.1017%2fS0305741020000090&partnerID=40&md5=c50988e34b98a48876460024a065bbab |
|
| Abstract | This article discusses the museumification of an urban village in Taipei into the Treasure Hill Artist Village in the context of wider debates on gentrification and the redevelopment of marginal urban spaces. Populated by soldiers evacuated to Taiwan following the Chinese Civil War, Treasure Hill became a hybrid space, combining welfare provision for elderly veterans with an artist colony, forming part of the Taipei Cultural Foundation. Lauded as a compromise that combined social, cultural and economic aspects of urban regeneration, the mix of high-modernist paternalism and neoliberal place-making resulted in the integration of the space into the existing city bureaucracy as a museum-like institution, with elderly residents and artists becoming exhibits in a living diorama. Although widely understood as gentrification at the time, the article argues that the museumification of Treasure Hill was a process led by a coalition of state and spatial experts which has distinct implications for the study of state-led neighbourhood amelioration. Copyright © SOAS University of London, 2020. |
|
Results:
Smaller Distance better similarity
| Id | View | Author | Title | Distance |
|---|---|---|---|---|
| 561 |  |
Hsu K.-W., Lin M.-L., Chao J.-C., Huang S.-F. | Constructing an evaluation framework for eco-museum operations-management performance, based on the case of Jhushan, Taiwan | 92.8814 |
| 887 | |
Yamamura T., Zhang T.X., Fujiki Y. | The social and cultural impact of tourism development on world heritage sites: A case of the Old Town of Lijiang, China, 2000-2004 | 121.034 |
| 738 | |
Morrison C. | Public Art Replacement on the Mapocho River: Erasure, Renewal, and a Conflict of Cultural Value in Santiago de Chile | 123.115 |
| 201 | |
Stern, M., J.; Seifert, S., C. | Cultural Clusters: The Implications of Cultural Assets Agglomeration for Neighborhood Revitalization | 127.141 |
| 140 | |
Beeksma, A., ; Chiara , D., C. | Participatory heritage in a gentrifying neighbourhood: Amsterdam’s Van Eesteren Museum as affective space of negotiations | 127.485 |
| 726 | |
Gamoneda A. | Thyssen: Relationship between museum and health Thyssen: Relaciones entre museo y salud | 129.326 |
| 633 | |
Martins J.C. | Tangible cultural heritage re-appropriation towards a new urban centrality. A critical crossroad in semi-peripheral eastern riverside lisbon | 130.984 |
| 630 | |
Paschild C. | Community archives and the limitations of identity: Considering discursive impact on material needs | 131.169 |
| 754 | |
Plaza B., Tironi M., Haarich S.N. | Bilbaos art scene and the Guggenheim effect revisited | 132.034 |
| 864 | |
Bonev I., Shimura S., Fricke H.H., Tsukamoto Y. | Design and construction methodology for de-institutional architecture: A case study on “Lakeside Dancers Club” at Horst Festival | 132.533 |
MESOC has received funding
from Horizon 2020 - the EU Framework Programme
for Research and Innovation (2014-2020) -
under Grant Agreement n°870935.
We take your privacy seriously and WE DO NOT process any personal data or any information that reveals personal identity or information that can be linked to such information to identify directly or indirectly.
2021 © CD