SUMMARY FOR CLUSTER

Artificial intelligence summary on documents for specified cluster


Cluster:


Model used

Summary

BERT

Introduction Based on the academic reflection about the definition of cinema of small nations identity and minority languages the Audiovisual Research Group eDECINEMA (University of Santiago de Compostela USC) brings into focus the policy of the European Union (EU) and it confronts with recent policy in certain territories. Since Liverpool has accumulated several hard cultural capitals (ie physical cultural infrastructure) from continuous regeneration in the past two decades the focus of ECOC is to strengthen the soft type of cultural capital. The arts scene will obtain an attractive space for various activities which will revive the area particularly during the night hours which is one of the positive contributions of artists to the regeneration of an area (Stolarick & Florida ). The recognition of filmmaking as an approved industrial activity in India according to the author led to structural changes that have helped to reshape the industry. Introduction The memory boom around the th anniversary of punk in is far from being a new phenomenon: for more than two decades we have been observing an incessant flow of books memoirs documentaries band reunions exhibitions or YouTube clips on punk or post-punk culture.

XLNET

Introduction Based on the academic reflection about the definition of cinema of small nations identity and minority languages the Audiovisual Research Group eDECINEMA (University of Santiago de Compostela USC) brings into focus the policy of the European Union (EU) and it confronts with recent policy in certain territories. As a consequence of these events together with the change in the autonomic government the Catalan Cinema Law was drastically transformed and the essential aims were not accomplished neither the % of Catalan cinema screenings for . This can be exemplified by the adaptation of the station building in Teresin together with the development of the adjacent area for cultural and artistic purposes - the Dworzec TO.Kultura! Cultural quarters emerge similarly particularly in historical parts of cities with high aesthetic and symbolic value not only because those parts suffering from a decline offer premises with low rents and minimum formal control (Groth & Corijn ) but also because invention and creativity can be stimulated by urban landscapes (Helbrecht Drake ). Moreover if we take into account also the characteristic features of cities undergoing a postsocialist transformation - like the low quality of informal institutions in relation to political or economic activity or rigidity of formal institutions (Rumpel ) the doubts become more intensive which is by the way documented by the ECoC projects implemented in post-communist countries (Palmer ).

GPT2

Introduction Based on the academic reflection about the definition of cinema of small nations identity and minority languages the Audiovisual Research Group eDECINEMA (University of Santiago de Compostela USC) brings into focus the policy of the European Union (EU) and it confronts with recent policy in certain territories. This problem has had a changeable public commitment during the past years: the support to the production and exhibition of films is separated from economic commercial and industrial subsidies awarded by the Autonomic Cultural Organism (Gonselleria de Cultura- Igape). Thanks to the continuation of both financing options the idea of the Culture Station can be treated somewhat as a diffusion of innovation - understood as a process of assimilating a given innovation into subsequent social systems (Rogers ) replicable in other places in Poland. With reference to the papers title we can state in sum that cultural and creative industries have contributed in a significant way to the regeneration of the city of Ostrava. There is a turn in categories of investigation involving gentrification.