Display candidate transaction variables for article
| Id | 741 | |
| Author | Rogelja I. | |
| Title | The Museumification of Treasure Hill: Authenticity, Authority and Art in a Taiwanese Urban Village | |
| Reference | Rogelja I.; The Museumification of Treasure Hill: Authenticity, Authority and Art in a Taiwanese Urban Village ;China Quarterly vol: issue: page: |
Link to article | https://www.scopus.com/inward/record.uri?eid=2-s2.0-85079830819&doi=10.1017%2fS0305741020000090&partnerID=40&md5=c50988e34b98a48876460024a065bbab |
| Abstract | This article discusses the museumification of an urban village in Taipei into the Treasure Hill Artist Village in the context of wider debates on gentrification and the redevelopment of marginal urban spaces. Populated by soldiers evacuated to Taiwan following the Chinese Civil War, Treasure Hill became a hybrid space, combining welfare provision for elderly veterans with an artist colony, forming part of the Taipei Cultural Foundation. Lauded as a compromise that combined social, cultural and economic aspects of urban regeneration, the mix of high-modernist paternalism and neoliberal place-making resulted in the integration of the space into the existing city bureaucracy as a museum-like institution, with elderly residents and artists becoming exhibits in a living diorama. Although widely understood as gentrification at the time, the article argues that the museumification of Treasure Hill was a process led by a coalition of state and spatial experts which has distinct implications for the study of state-led neighbourhood amelioration. Copyright © SOAS University of London, 2020. |
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| While sales contribute to the young artists income, the presence of a constant stream of visitors can also be distracting. . | The present case therefore contributes a more layered view of post-industrial urban transformations in East Asia and beyond by exploring the role of expertise and the state in culture-led urban redevelopment. . |
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