Display candidate transaction variables for article
| Id | 751 | |
| Author | Fremaux S., Fremaux M. | |
| Title | Remembering the beatles legacy in hamburgs problematic tourism strategy | |
| Reference | Fremaux S., Fremaux M.; Remembering the beatles legacy in hamburgs problematic tourism strategy ;Journal of Heritage Tourism vol:8.0 issue: 4.0 page:303.0 |
Link to article | https://www.scopus.com/inward/record.uri?eid=2-s2.0-84943261705&doi=10.1080%2f1743873X.2013.799172&partnerID=40&md5=0132593e4f940bf634b2b155657e5849 |
| Abstract | Since the late 1980s/early 1990s, Liverpool has been synonymous with Beatles-related tourism, investing in museums, city walks, and redeveloping the Mathew Street Cavern Quarter. Another, perhaps lesser known, site of Beatles tourism that has slowly immerged in recent years is the Reeperbahn area of Hamburg, Germany. While a number of cities with a strong musical heritage have developed tourism and urban regeneration around their musical past, primary research and photographic evidence gathered in Hamburg reveals that Hamburg is a city of conflicting identities. The citys leaders want Hamburg to compete as a cultural and financial site of tourism and investment on a global scale. However, by examining the mytholization of ‘the Beatles’ Hamburg’ at the Beatlemania Museum, and the lack of investment in the surrounding infrastructure, research shows that this act of selective memory is driven by economic and ideological agendas in Hamburgs overall urban regeneration plans. Arguably, the multi-billion euro HafenCity project is to be the new vision and focus of Hamburgs regenerated image. This article does not argue for a ‘Disneyfication’ of Hamburgs Reeperbahn area, but attempts to highlight the missed opportunities for the city to support and cultivate its music heritage and struggling artisan/independent scene. © 2013 Taylor & Francis. |
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| This link with nostalgia can be very positive and attractive for tourist agencies in building tourism attractions. . | In the wider context of tourism, heritage and music tourism are direct responses to the increase in traveling for recreation and personal pleasure. . |
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