| Id | 213 | |
| Author | Bianchini, F., ; Tommarchi, E., ; Hansen, L., E. | |
| Title | Problematising the question of participation in Capitals of Culture | |
| Reference | Tommarchi, E., Hansen, L. E., & Bianchini, F. (2018). Problematising the question of participation in Capitals of Culture. Participations: Journal of Audience & Reception Studies, 15(2), 154-169. |
|
| Link to article | https://participations.org/Volume%2015/Issue%202/10.pdf |
|
| Abstract | Participation is increasingly a common feature in both Capital and City of Culture (CoC) programmes such as European Capitals of Culture (ECoC) and UK Cities of Culture (UKCoC). Since the mid-1990s and in particular in the last decade, many ECoCs have been displaying an emphasis on audience development and cultural engagement, impacting both on the balance of their cultural programming and on the design of specific projects and events with the aim of engaging local communities. This development that seems to be putting participation at the centre of both ECoCs and UKCoCs, at least at rhetorical level, is the motivation behind this Themed Section of Participations. Why has it become increasingly important and how is participation understood and practiced in the different local versions of CoCs? And how can participation in CoCs be understood in the context of both a broad societal participatory turn and a narrower participatory turn in cultural policy and in the practices of cultural institutions? This Themed Section does not give a simple and conclusive answer to these questions, but it offers partial, case-based examples and can be seen as the first step towards a better understanding of why, how and to what extent CoCs are participatory. In this editorial introduction, we map the landscape in which the specific cases presented in the articles are positioned. We look at the emergence and development of the agenda of participation in mainly the ECoC scheme and we identify some of the challenges that future research needs to address. |
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Results:
Smaller Distance better similarity
| Id | View | Author | Title | Distance |
|---|---|---|---|---|
| 881 |  |
Pavluković V., Stankov U., Arsenović D. | Social impacts of music festivals: A comparative study of sziget (Hungary) and exit (Serbia) Družbeni vplivi glasbenih festivalov: Primerjalna študija festivalov sziget na Madžarskem in exit v Srbiji | 95.1866 |
| 637 | |
Cerreta M., Daldanise G., Sposito S. | Culture-led regeneration for urban spaces Monitoring complex values networks in action | 99.8663 |
| 107 | |
Evans, G., | Measure for measure: evaluating the evidence of culture’s contribution to regeneration. | 100.147 |
| 124 | |
Bonet, L., ; Calvano, G., ; Carnelli, L., ; Dupin-Meynard, F., ; Négrier, M., | Be SpectACTive! Challenging Participation in Performing Arts | 100.838 |
| 520 | |
Kochergina E. | Urban Planning Aspects of Museum Quarters as an Architectural Medium for Creative Cities | 105.983 |
| 676 | |
Evans G. | Participation and provision in arts & culture – bridging the divide | 106.308 |
| 673 | |
Peterson M. | Living with difference in hyper-diverse areas: how important are encounters in semi-public spaces? Vécu de la différence dans les quartiers hyper-divers : importance des rencontres dans les espaces semi-publics El vivir con lo diferente en zonas excesivamente diversas: ¿cuán importantes son los encuentros en espacios semi-públicos? | 107.143 |
| 873 | |
Crespo-Martín B. | Regarding participatory contemporary art practices as catalysts of sociabilization Acerca de las prácticas artísticas participativas contemporáneas como catalizadoras de la sociabilización | 107.214 |
| 811 | |
Selman P., Carter C., Lawrence A., Morgan C. | Re-connecting with a recovering river through imaginative engagement | 108.766 |
| 201 | |
Stern, M., J.; Seifert, S., C. | Cultural Clusters: The Implications of Cultural Assets Agglomeration for Neighborhood Revitalization | 111.031 |
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