FIND SIMILAR ARTICLES

Find similar articles based on semantic search




Id 744
Author Booth K., O’Connor J.
Title Planning for creative effects: the Museum of Old and New Art
Reference

Booth K., O’Connor J.; Planning for creative effects: the Museum of Old and New Art ;Australian Planner vol:55.0 issue: 2.0 page:65.0

Link to article https://www.scopus.com/inward/record.uri?eid=2-s2.0-85053322476&doi=10.1080%2f07293682.2018.1518250&partnerID=40&md5=b0e303892ac2cf4a052ec4aedd23a2c1
Abstract Much has been made of the social and economic benefits of incorporating arts and culture into urban planning frameworks. Here, we report on the impact on the local community of the Museum of Old and New Art (Mona). Mona is located within the municipality of Glenorchy, adjacent to the island state of Tasmanias capital city Hobart. Its opening in 2011 and subsequent social and economic effects were, by and large, unplanned. Unlike the Bilbao Guggenheim, Mona was not positioned within a broader strategy of regional renewal but was brainchild of its multi-millionaire founder and owner. Its impacts are significant, though unevenly distributed between places and different sections of the community. It is the City of Hobart that appears to be reaping most of the benefits, with Glenorchy–the 8th most disadvantaged municipality in Tasmania–experiencing little renewal. In this paper, we present findings of two surveys conducted with Glenorchy residents and discuss these in relation aspirations for creative effect. We emphasise that while Glenorchy appears to be missing out on the ‘Mona Effect’, there are signs of change that support the need for strategic planning interventions for a more even distribution of Monas success. © 2018, © 2018 Informa UK Limited, trading as Taylor & Francis Group.


Results:


Smaller Distance better similarity

Id View Author Title Distance
206 View Grodach, C., Museums as Urban Catalysts: The Role of Urban Design in Flagship Cultural Development 112.154
739 View Padilla-Llano S.E., Machado-Penso M.V., Reyes-Schade E., Larios-Giraldo P.M., Cabrera-Sánchez I., Martínez-Palacios E., González-Forero D., Tapias-Martínez J. Barrio El Prado: A living museum for the city of Barranquilla Barrio el prado un museo vivo para la ciudad de Barranquilla. 119.123
140 View Beeksma, A., ; Chiara , D., C. Participatory heritage in a gentrifying neighbourhood: Amsterdam’s Van Eesteren Museum as affective space of negotiations 119.231
127 View Kalergis, D., The role of architecture in culture-led urban regeneration strategies 119.359
754 View Plaza B., Tironi M., Haarich S.N. Bilbaos art scene and the Guggenheim effect revisited 120.334
880 View Quinlan E., Thomas R., Ahmed S., Fichtner P., McMullen L., Block J. The aesthetic rationality of the popular expressive arts: Lifeworld communication among breast cancer survivors living with lymphedema 122.828
201 View Stern, M., J.; Seifert, S., C. Cultural Clusters: The Implications of Cultural Assets Agglomeration for Neighborhood Revitalization 123.661
100 View Matarasso, F., Use or ornament? The social impact of participation in the arts 123.936
150 View Markusen , A., ; Godwa, A., Arts and Culture in Urban or Regional Planning: A Review and Research Agenda 124.509
218 View Navarro Yanez, C., J. Do ‘creative cities’ have a dark side? Cultural scenes and socioeconomic status in Barcelona and Madrid (1991–2001) 124.615
Note: Due to lack of computing power, results have been previously created and saved in database