FIND SIMILAR ARTICLES

Find similar articles based on semantic search




Id 880
Author Quinlan E., Thomas R., Ahmed S., Fichtner P., McMullen L., Block J.
Title The aesthetic rationality of the popular expressive arts: Lifeworld communication among breast cancer survivors living with lymphedema
Reference

Quinlan E., Thomas R., Ahmed S., Fichtner P., McMullen L., Block J.; The aesthetic rationality of the popular expressive arts: Lifeworld communication among breast cancer survivors living with lymphedema ;Social Theory and Health vol:12 issue: 3 page:291.0

Link to article https://www.scopus.com/inward/record.uri?eid=2-s2.0-84905184370&doi=10.1057%2fsth.2014.9&partnerID=40&md5=1a90b2129d5bf4da55b354be4ae392e3
Abstract The use of popular expressive arts as antidotes to the pathologies of the parallel processes of lifeworld colonization and cultural impoverishment has been under-theorized. This article enters the void with a project in which breast cancer survivors used collages and installations of everyday objects to solicit their authentic expression of the psycho-social impacts of lymphedema. The article enlists Jurgen Habermas communicative action theory to explore the potential of these expressive arts to expand participants meaningful engagement with their lifeworlds. The findings point to the unique non-linguistic discursivity of these non-institutional artistic forms as their liberating power to disclose silenced human needs: the images spoke for themselves for group members to recognize shared subjectivities. The authenticity claims inherent in the art forms fostered collective reflexivity and spontaneous, affective responses and compelled the group to create new collective understandings of the experience of living with lymphedema. The article contributes theoretical insights regarding the emancipatory potential of aesthetic-expressive rationality, an under-developed area of Habermasian theory of communicative action, and to the burgeoning literature on arts-based methods in social scientific research. © 2014 Macmillan Publishers Ltd.


Results:


Smaller Distance better similarity

Id View Author Title Distance
897 View Blencowe C., Brigstocke J., Noorani T. Engines of alternative objectivity: Re-articulating the nature and value of participatory mental health organisations with the Hearing Voices Movement and Stepping Out Theatre Company 97.2987
963 View Windle G., Gregory S., Newman A., Goulding A., OBrien D., Parkinson C. Understanding the impact of visual arts interventions for people living with dementia: A realist review protocol 97.5371
169 View Windle, G.; Gregory, S.; Howson-Griffiths, T.; Newman, A.; O Brien, D.; Gouldin, A. Exploring the theoretical foundations of visual art programmes for people living with dementia 98.0194
104 View Kay, A., Art and community development: The role the arts have in regenerating communities 99.3922
905 View Erel U., Reynolds T., Kaptani E. Participatory theatre for transformative social research 100.176
150 View Markusen , A., ; Godwa, A., Arts and Culture in Urban or Regional Planning: A Review and Research Agenda 100.354
625 View Manias-Muñoz M., Barreiro M.S., Rodríguez A.I. Public policies, diversity and national cinemas in the Spanish context: Catalonia, basque country and Galicia 101.265
942 View Carswell C., Reid J., Walsh I., Noble H. Arts-based interventions for hospitalised patients with cancer: A systematic literature review 103.425
898 View Ryan H.E., Flinders M. From senseless to sensory democracy: Insights from applied and participatory theatre 103.922
946 View Schneider J. The arts as a medium for care and self-care in dementia: Arguments and evidence 104.08
Note: Due to lack of computing power, results have been previously created and saved in database