| Id | 899 | |
| Author | Reynolds T., Erel U., Kaptani E. | |
| Title | Migrant mothers: Performing kin work and belonging across private and public boundaries | |
| Reference | Reynolds T., Erel U., Kaptani E.; Migrant mothers: Performing kin work and belonging across private and public boundaries ;Families, Relationships and Societies vol:7.0 issue: 3.0 page:365.0 |
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| Link to article | https://www.scopus.com/inward/record.uri?eid=2-s2.0-85058879538&doi=10.1332%2f204674318X15233476441573&partnerID=40&md5=ee3c20c588de506f399c711efafe9aa5 |
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| Abstract | This article explores how migrant mothering kin work challenges private and public boundaries, giving rise to new conceptions and practices of citizenship. We highlight the potential of participatory theatre methods – specifically, forum theatre and Playback – for understanding the relationship between mothering, ethnic belonging and citizenship. We also assess the significance of migrant women’s kin work within their families and communities for re-framing notions of citizenship (Erel et al, 2017a, 2018). Our analysis gives particular focus to two scenes developed as part of the participatory theatre project that took place with a group of ethnically and racially diverse mothers in East London. The first scene, entitled ‘Where is my food?’, draws attention to the mothers’ kin work and reproductive labour operating at the boundaries of the public/private dichotomy, and also highlights gendered household dynamics. The second scene, entitled ‘At the community centre’, examines everyday encounters at the centre, and how ‘cultural work’, which is pivotal to the mothers’ kin work, informs intergenerational relations. The article argues for a more embodied understanding of citizenship in order to broaden understanding of migrant mothers’ kin work in making new citizens. © 2018 Policy Press. |
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Results:
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| Id | View | Author | Title | Distance |
|---|---|---|---|---|
| 905 |  |
Erel U., Reynolds T., Kaptani E. | Participatory theatre for transformative social research | 73.486 |
| 897 | |
Blencowe C., Brigstocke J., Noorani T. | Engines of alternative objectivity: Re-articulating the nature and value of participatory mental health organisations with the Hearing Voices Movement and Stepping Out Theatre Company | 99.1351 |
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Stam V. | The possibilities and limits of participatory theatre: Exploring belonging and resistance with second-generation black and Muslim Dutch youth in the Netherlands | 102.336 |
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Bonev I., Shimura S., Fricke H.H., Tsukamoto Y. | Design and construction methodology for de-institutional architecture: A case study on “Lakeside Dancers Club” at Horst Festival | 104.969 |
| 558 | |
Singleton P. | Remodelling Barbie, making justice: An autoethnography of craftivist encounters | 106.914 |
| 629 | |
Caswell M. | Community-centered collecting: Finding out what communities want from community archives | 111.436 |
| 910 | |
Frieze J. | Reframing immersive theatre: The politics and pragmatics of participatory performance | 117.524 |
| 112 | |
Laaksonen, A., | Measuring Cultural Exclusion through Participation in Cultural Life. | 118.285 |
| 133 | |
McDonnell, B., ; Shellard, D., | Social impact study of UK theatre | 118.624 |
| 168 | |
Morse, N.; Thomson, L.J.M.; Brown, Z.; Chatterjee, H.J. | Effects of creative museum outreach sessions on measures of confidence, sociability and well-being for mental health and addiction recovery service-users | 121.423 |
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