| Id | 908 | |
| Author | Bartley S. | |
| Title | Hard labour and punitive welfare: the unemployed body at work in participatory performance | |
| Reference | Bartley S.; Hard labour and punitive welfare: the unemployed body at work in participatory performance ;Research in Drama Education vol:22.0 issue: 1.0 page:62.0 |
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| Link to article | https://www.scopus.com/inward/record.uri?eid=2-s2.0-85015675527&doi=10.1080%2f13569783.2016.1263559&partnerID=40&md5=7b487719d8f2917c26031947f2e6b2e1 |
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| Abstract | This article addresses the performance of labour in participatory arts projects and considers the implications of such activity on perceptions of the unemployed in the UK. Utilising a combination of biopolitical and necropolitical understandings of governance and drawing on two examples of theatre practice, Tangled Feet’s One Million (2013) and Helix Arts MindFULL (2013), I propose that participatory performance deploys bodily strategies to disrupt the construction of the unemployed in political rhetoric. As such, in a context of austerity, I argue this arts practice can function to support the agency of participants in challenging policy and seeking to re-establish the status of subjecthood to their precarious bodies. Additionally, I posit that specificities of the unemployed as a participant group illuminate broader complexities around value exchange within participatory arts practice. © 2016 Informa UK Limited, trading as Taylor & Francis Group. |
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Results:
Smaller Distance better similarity
| Id | View | Author | Title | Distance |
|---|---|---|---|---|
| 905 |  |
Erel U., Reynolds T., Kaptani E. | Participatory theatre for transformative social research | 104.994 |
| 864 | |
Bonev I., Shimura S., Fricke H.H., Tsukamoto Y. | Design and construction methodology for de-institutional architecture: A case study on “Lakeside Dancers Club” at Horst Festival | 115.293 |
| 890 | |
Stam V. | The possibilities and limits of participatory theatre: Exploring belonging and resistance with second-generation black and Muslim Dutch youth in the Netherlands | 116.84 |
| 917 | |
Swift E. | What do audiences do? Negotiating the possible worlds of participatory theatre | 117.915 |
| 900 | |
Staniškyte J. | Spectatorship, politics and the rules of participation: Re-discovering the audience in contemporary Lithuanian theatre | 123.223 |
| 912 | |
Byrne E., Elliott E., Williams G. | Performing the micro-social: using theatre to debate research findings on everyday life, health and well-being | 132.322 |
| 880 | |
Quinlan E., Thomas R., Ahmed S., Fichtner P., McMullen L., Block J. | The aesthetic rationality of the popular expressive arts: Lifeworld communication among breast cancer survivors living with lymphedema | 132.521 |
| 802 | |
Bridger A.J., Emmanouil S., Lawthom R. | Trace.space: a psychogeographical community project with members of an arts and health organisation | 134.392 |
| 896 | |
Del Campo-Tejedor A., Cordero-Ramos N., Muñoz-Bellerin M. | Ethnography and colective theatrical creation. A decade of artivisme with homeless in Seville (Spain) Etnografía y creación colectiva teatral. Una década de artivismo con personas sin hogar en Sevilla | 136.502 |
| 153 | |
Walmsley, B., | Co-creating theatre: authentic engagement or inter-legitimation? | 138.073 |
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