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| Id | 124 | |
| Author | Bonet, L., ; Calvano, G., ; Carnelli, L., ; Dupin-Meynard, F., ; Négrier, M., | |
| Title | Be SpectACTive! Challenging Participation in Performing Arts | |
| Reference | Bonet, L.; Calvano, G.; Carnelli, L.; Dupin-Meynard, F. and Négrier, M. (Eds.) (2018). Be SpectACTive! Challenging Participation in Performing Arts. Perugia: Editoria & Spettacolo. |
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| Link to article | https://www.bespectactive.eu/wp-content/uploads/2019/09/Be-SpectACTive.pdf |
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| Abstract | Be SpectACTive! is a European project based on audience development, involving organisations working on active spectatorship in contemporary performing arts. Its members are European festivals, theatres, universities and research centres. During four years, the network implemented various actions willing to develop audiences and citizen participation in artistic choices and creation processes, including participatory programming groups, participative residencies, and digital participation. These projects were accompanied by an action research and several practical and theoretical exchanges, including international conferences. This book intends to share the Be SpectACTive! collective adventure, giving a voice to artistic directors, artists, participants and researchers who have been involved in the projects, describing, through case studies and reflections, their successes, limits and perspectives. |
Challenging Participation in Performing Arts. to understand this turning point one has to point out first the variety of participatory approaches existing in the cultural field. what we learnt all together is that art organizations artists and citizens need longer working periods; they need to see the results of a long production journey across europe where the the long path from an idea to the real project project activities can be embedded in the ordinary activity of the art organisations. : we are evaluating selecting managing projects at a european level; these projects are co-financed with european money meaning money of the european taxpayers. that is important as we are giuliana ciancio karel bartak improving our knowledge and communicating with all cultural sectors monitoring how the programme is really performing measuring the impact we are having and what needs to be fine- tuned in the future legal base.
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