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| Id | 142 | |
| Author | Bonet, L., ; Négrier, E., | |
| Title | Breaking the Fourth Wall. Proactive Audiences in the Performing Arts | |
| Reference | Bonet, L.; Négrier, E. (eds.) (2018). Breaking the Fourth Wall. Proactive Audiences in the Performing Arts. Elverum: Kunnskapsverket. |
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| Link to article | http://www.ub.edu/cultural/wp-content/uploads/2018/06/Breaking-the-fourth-wall.pdf |
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| Abstract | This book is one of the outputs of the Be SpectACTive! EU-funded project. It is not a conference proceedings, although the reflections derive from a conference entitled "The Proactive Role of Live Performance Audiences", organized in Barcelona at the end of 2016. This book gives an important place to the controversies surrounding the question of participation in the cultural and artistic fields. This debate gathers researchers who have developed through their work an original and documented point of view on the issue. Then, it brings together those who have been active in Barcelona among cultural, academic and artistic actors. Thus, this book proposes a dynamic state of the considerations that accompany the Be SpectACTive! project since its launch, at the beginning of 2015. |
This book is one of the outputs of the Be SpectACTive! breaking the fourth wall: proactive audiences in the performing arts we will show in the next pages how the contemporary issue of participation implies artistic decentering namely questioning the centrality of the artist in the philosophy of cultural policy. here the nouveaux commanditaires program promoted by the fondation de france ngrier can be cited as one of the projects most explicitly focused on a renewalbo bthebsocialbissueb rombandbwithinbanbartisticbperspectiveabthebideabo boaeringb the possibility to citizens to commission an artist to answer to one of the issues experiencedbinbtheirbcontextabwithbthebhelpbo babmediatorbwhobwor%sbonballbdiaerentb relationships technical financial political artistic etc. greek tragedy as well was designed to produce an existential experiment of the relationships between individual autonomy and social contradictions on stage: as shown by jean-pierre vernant and pierre vidal-naquet theatre represents simultaneously the social and its critique and provides the public with resources to reconstruct the disrupted social link. participatory cultural policies however are not limited to community arts projects; some initiatives are aimed at involving local communities with a special attention to those who do not usually engage in cultural activities in the decision-making process o bculturalbpoliciesabforbinstanceabanouveauxbcommanditairesabaanewbpatronsaabisbanb initiative promoted by the fondation de france since the s and has since spread in other countries nouveaux commanditaires.
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