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| Id | 145 | |
| Author | Bonet, L., ; Colbert, F., ; Courchesne, A., | |
| Title | From Creative Nations to Creative Cities: an example of center-periphery dynamic in cultural policies- City, culture and Society | |
| Reference | Bonet, L., Colbert, F., Courchesne, A. (2011). From Creative Nations to Creative Cities: an example of center-periphery dynamic in cultural policies- City, culture and Society, 2(1): 3-8. |
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| Link to article | https://doi.org/10.1016/j.ccs.2011.02.001 |
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| Abstract | This article analyze the dialectic between cultural policies and the center–periphery dynamic: the tension between legitimization and efficiency on the one hand, and on the other, the combination of differentiation and standardization. In the second part, the authors consider the tensions between the principles of legitimacy and of efficiency in cultural policies as they manifest themselves within the center–periphery dynamic. Here, they also devote some time to studying the implementation of the arts council’s model in Quebec and Catalonia. In the third part, They expand upon factors such as the institutional system, the market, the non-profit sector, and the political strategies which influence the expansion of the concept of ‘Creative Cities’ revealing a general shift of cultural policies towards sub-national, regional and local policies, before concluding on a more general note. |
Here, they also devote some time to studying the implementation of the arts councils model in Quebec and Catalonia. the argument used was that culture as an inherent manifestation of any human community does not have its limits perfectly dened and thus cannot be considered uni- form and exclusive. as public funding is shifting from the central federal le- vel to autonomous and municipal levels in canada and in spain this trend has not been uniform as shown by the per capita expenditures at the local and regional levels. even if the arts council model was championed by the quebec artistic community for years st-pierre its implementa- tion in was done on the principle of a better efciency in removing any political inuence on the funding of artis- tic creation. the creative city movement: a comparative approach to the dynamics of the centre-periphery relationship the dialectic between differentiation and standardiza- tion is a result of both political inuences and their effect on programs and legislative design and the lobby capacity of four categories of actors: the institutional agents market forces the non-prot sector and the political sphere.
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