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| Id | 878 | |
| Author | Małuj J., Załuski D. | |
| Title | Emotional and Social Potential of Art in the City | |
| Reference | Małuj J., Załuski D.; Emotional and Social Potential of Art in the City ;IOP Conference Series: Materials Science and Engineering vol:245 issue: 4 page: |
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| Link to article | https://www.scopus.com/inward/record.uri?eid=2-s2.0-85033664783&doi=10.1088%2f1757-899X%2f245%2f4%2f042074&partnerID=40&md5=d049a39f36feab286278fdf52b1f877f |
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| Abstract | In the city residents are more often consumers than creators. Due to evolving specialization and the division of public tasks, citizens do not have an active influence on their surroundings and public spaces. They remain passive users who are detached from the process of creation. As a result, they often have no emotional connection to public space. On the basis of literature research, case studies, questionnaires as well as in-depth interviews with the inhabitants of Tri-City Metropolis (Poland), it has been noted that art capable of evoking emotions has a particular impact on both their attitudes and engagement in the process of city revitalization. Shared participation of artists and residents in shaping space through creative acts and artistic expression may contribute to greater satisfaction with the place of residence as well as a perceived increase in the quality of life. Creative acts and processes influence the sense of dignity and personal freedom and integrity, they may serve as a catalyst to unleash the residents authenticity, creativity and agency. The quality of art being created and its social impact depend on the model of cooperation, adopted and professed values as well as the principles being followed by the process of revitalization. This presentation discusses the what art, including street art, becomes after revitalization: a memory, an inspiration, a work of considerable material or social value or a feeling of insufficient fulfilment arrived upon due to compromise. © Published under licence by IOP Publishing Ltd. |
On the basis of literature research, case studies, questionnaires as well as in-depth interviews with the inhabitants of Tri-City Metropolis , it has been noted that art capable of evoking emotions has a particular impact on both their attitudes and engagement in the process of city revitalization. These organizations noticeably alter the relationship between the authorities and the inhabitants but then again the social conviction about the ineffectiveness of the people in the process of shaping the city is still being rendered as prevailing. A party that is weak may be omitted or unnoticed in the social dialogue on shaping the city and public spaces. Contemporary art in public space has developed significantly in recent years and as a development phenomenon it is worth further insight especially in regards to the relations that arise between space architecture and art in the space of the city and translating the results of research into the language of the functioning and design of the modern city. Gdask is both faced with a great chance of restoring vitality to a large part of the City as well as to the enormous challenge of undiminishing art as a tool in the revitalization strategy and treating art as a means of gaining in-depth knowledge of the culture of the revitalization community and permission to express yourself.
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